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1. Sexually explicit pictures, writing, or other material whose primary purpose is to cause sexual arousal.
2. The presentation or production of this material.
3. Lurid or sensational material: “Recent novels about the Holocaust have kept Hitler well offstage [so as] to avoid the … pornography of the era” (Morris Dickstein).

Pornography (from the Greek pornographos, meaning writing about prostitutes) in modern parlance denotes writings or images primarily intended to cause sexual arousal. Controversy has raged, however, about more precise definitions, especially in relation to other kinds of sexually stimulating material. The terms ‘erotica’ or ‘erotica art’, for example, have suggested a degree of aesthetic value, often with implications of costliness, exclusiveness, and rarity. ‘Pornography’, on the other hand, has been used synonymously with ‘smut’, ‘filth’, and ‘trash’, and stigmatized as cheap and corrupting. In Western societies and Japan in the 20th century, definitions of and attitudes towards pornography changed dramatically, although often unevenly as between the provinces and the metropolis. Particularly fluid was the boundary between ‘soft’ pornography (pin-up nudes and, eventually, simulated sex acts) and the ‘harder’ variety, depicting unsimulated, ‘deviant’, and sometimes illegal activity. Changing levels of tolerance, influenced by extraneous factors such as affluence, feminism, safe-sex campaigns, and shifting attitudes towards the private sphere in relation to the state, have had legal, social, and commercial consequences. Although in the past few people referred to themselves as pornographers without apology, at the beginning of the 21st century ‘porn stars’ in some societies are celebrities. Well before 2000, moreover, photographers such as Nobuyoshi Araki and Robert Mapplethorpe acquired considerable reputations while also producing hard-core material; and fashion stars like Helmut Newton and Guy Bourdin could spice their commercial work with pornographic allusions and conceits. Notwithstanding the existence of ancient sexual materials, pornography as understood today emerged during the 18th century, although the term did not come into widespread use until the mid-19th. Its purpose has varied significantly in different cultures and eras. Between 1500 and 1800, European artists and polemicists often used the shock value of sexual activity to attack the Church, the state, or prevailing conventions and ideologies. In pre-revolutionary France, pornographic pamphlets and flyers were deployed massively against the corruption of the court and the incompetence of the monarchy. However, pleasure was also important; although a distinction needs to be made between the crude materials peddled to the masses and the sumptuous books and prints available to elites.

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